{"id":7256,"date":"2006-04-02T23:08:00","date_gmt":"2006-04-02T20:08:00","guid":{"rendered":"https:\/\/epalestine.ps\/sambahour\/?p=7256"},"modified":"2025-03-01T00:58:45","modified_gmt":"2025-02-28T22:58:45","slug":"the-woman-i-left-behind-a-novel-by-kim-jenson-book-review","status":"publish","type":"post","link":"https:\/\/epalestine.ps\/sambahour\/2006\/04\/the-woman-i-left-behind-a-novel-by-kim-jenson-book-review\/","title":{"rendered":"“The Woman I Left Behind”, a novel by Kim Jenson [Book Review]"},"content":{"rendered":"\n
\"\"<\/a><\/figure>\n\n\n\n

<\/p>\n\n\n\n

An experimental & poetic novel about a turbulent love affair between a young American woman and a Palestinian man. Finalist for Forward<\/em> magazine\u2019s ‘Book of the Year’.<\/p><\/blockquote><\/figure>\n\n\n\n

Sam’s Synopsis<\/h3>\n\n\n\n

The Woman I left Behind<\/em> is much more than an untraditional love story. A Palestinian refugee and a young American woman become equally entangled in the each other\u2019s past, present and future.<\/p>\n\n\n\n

Their story is interwoven with class struggle, national aspirations, careers, love, and the good and bad of each other\u2019s culture.<\/p>\n\n\n\n

Both of them, searching for a meaningful relationship, find that courage is needed when they are confronted with the opportunity to learn about themselves through the other.<\/p>\n\n\n\n

While living in California, Irene\u2019s lover, Khalid, has flashbacks of his days in the Sabra and Shatila refugee camps in 1982: <\/p>\n\n\n\n

\n

\u201cThere is no gap between present and memory. No chain of events that makes sense. No moment that he can pinpoint and say, \u2018that\u2019s the past\u2019 and \u2018now it\u2019s over.\u2019”<\/p>\n<\/blockquote>\n\n\n\n

This simple distinction of how time is framed captures an invaluable lesson for all those who try to make sense of the chasm between the West and Middle East.<\/p>\n\n\n\n

This novel may be the softest entry point for both peoples, Palestinians and Americans, to learn how similar, and different, both are.<\/p>\n\n\n\n

\u2014<\/em>Sam Bahour, co-editor of Homeland: Oral Histories<\/em> of Palestine and Palestinians<\/em><\/p>\n\n\n\n

Publisher’s Description<\/h3>\n\n\n\n

The Woman I Left Behind<\/em> is a poetically written novel about a turbulent love affair between a young American woman and a Palestinian refugee.<\/p>\n\n\n\n

When Irene, an intelligent, committed and discerning student meets Khalid, a Palestinian refugee now living in Southern California, she immediately knows that this man would cause her both immense pain and immense joy.<\/p>\n\n\n\n

\u201cThis is a love story with an edge to it, a novel that is daring in style and content, a riveting exploration of the place where politics, culture and psychology intersect, where a history of wars collides with everyday life.\u201d<\/p>\u2014Jordan Times<\/cite><\/blockquote><\/figure>\n\n\n\n

Coming from two separate worlds that are at odds with each other, both Irene and Khalid have to overcome their cultural differences. Irene comes to realize that she has to break free from her parents’ norms and values and lead a more meaningful life–a life not guided by superficialities but by a sense of commitment and purpose.<\/p>\n\n\n\n

After opening her eyes not only to the psychological wounds Khalid suffered during his experiences of war, deportation, and exile, but also to her own childhood wounds, Irene abandons her detached self, ultimately leading to a reconciliation with Khalid.<\/p>\n\n\n\n

\u201cDebut novelist Jensen, winner of the 2001 Raymond Carver Prize for Short Fiction, powerfully portrays Khalid\u2019s boyhood amid the violence of the Middle East and the proud but complicated family that he either lost or left behind\u2026the tale is well crafted, with its scenes of high drama and great sex. A first novel that offers a lot more than most.\u201d<\/p>\u2014Kirkus Reviews<\/cite><\/blockquote><\/figure>\n\n\n\n

With its detailed depictions of modern Palestinian history, as well as its cast of colorful characters–from Palestinian feminists to American cyberpunks–Kim Jensen’s novel reiterates the vital connections between politics, the imagination, and the most intimate aspects of our lives.<\/p>\n\n\n\n

Book Details<\/h3>\n\n\n\n
Title<\/td>The Woman I Left Behind<\/td><\/tr>
Author<\/td>Kim Jensen<\/td><\/tr>
Publisher<\/td>Curbstone Press<\/td><\/tr>
Publish Date<\/td>April 01, 2006<\/td><\/tr>
Pages<\/td>244<\/td><\/tr>
Language<\/td>English<\/td><\/tr>
EAN\/UPC<\/td>9781931896221<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Find Kim’s website at www.kimjensen.org<\/a><\/p>\n\n\n\n

Buy the book on bookshop.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

The Woman I left Behind<\/em> is much more than an untraditional love story. A Palestinian refugee and a young American woman become equally entangled in the each other\u2019s past, present and future. Their story is interwoven with class struggle, national aspirations, careers, love, and the good and bad of each other\u2019s culture. Both of them, searching for a meaningful relationship, find that courage is needed when they are confronted with the opportunity to learn about themselves through the other.<\/p>\n","protected":false},"author":4,"featured_media":7258,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","iawp_total_views":8,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[948,942],"tags":[1422,1420,18,1421],"ppma_author":[936],"class_list":["post-7256","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-books","category-sams-writings","tag-fiction","tag-kim-jensen","tag-sabra-and-shatila","tag-the-woman-i-left-behind-book"],"authors":[{"term_id":936,"user_id":4,"is_guest":0,"slug":"sambahour","display_name":"Sam Bahour","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/bca109c333bf6d8ae807746dd512adde46265d37c923f6cd0fc4aab437f8e9aa?s=96&d=mm&r=g","0":null,"1":"","2":"","3":"","4":"","5":"","6":"","7":"","8":""}],"_links":{"self":[{"href":"https:\/\/epalestine.ps\/sambahour\/wp-json\/wp\/v2\/posts\/7256","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/epalestine.ps\/sambahour\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/epalestine.ps\/sambahour\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/epalestine.ps\/sambahour\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/epalestine.ps\/sambahour\/wp-json\/wp\/v2\/comments?post=7256"}],"version-history":[{"count":18,"href":"https:\/\/epalestine.ps\/sambahour\/wp-json\/wp\/v2\/posts\/7256\/revisions"}],"predecessor-version":[{"id":7277,"href":"https:\/\/epalestine.ps\/sambahour\/wp-json\/wp\/v2\/posts\/7256\/revisions\/7277"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/epalestine.ps\/sambahour\/wp-json\/wp\/v2\/media\/7258"}],"wp:attachment":[{"href":"https:\/\/epalestine.ps\/sambahour\/wp-json\/wp\/v2\/media?parent=7256"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/epalestine.ps\/sambahour\/wp-json\/wp\/v2\/categories?post=7256"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/epalestine.ps\/sambahour\/wp-json\/wp\/v2\/tags?post=7256"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/epalestine.ps\/sambahour\/wp-json\/wp\/v2\/ppma_author?post=7256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}