{"id":5018,"date":"2006-03-05T17:53:00","date_gmt":"2006-03-05T15:53:00","guid":{"rendered":""},"modified":"2025-03-21T13:44:14","modified_gmt":"2025-03-21T11:44:14","slug":"epalestine-nyt-play-about","status":"publish","type":"post","link":"https:\/\/epalestine.ps\/sambahour\/2006\/03\/epalestine-nyt-play-about\/","title":{"rendered":"NYT: Play About Demonstrator&#8217;s Death Is Delayed"},"content":{"rendered":"<p align=\"left\"><font face=\"Arial\" size=\"2\"><span style=\"font-size:10pt\">The New York Times&#160; <\/span><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><span style=\"font-size:10pt\">February 28, 2006<\/span><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"4\"><span style=\"font-size:14pt\"><strong>Play About Demonstrator&#8217;s Death Is Delayed<\/strong><\/span><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><span style=\"font-size:10pt\">By JESSE McKINLEY<\/span><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><span style=\"font-size:10pt\">A potential Off Broadway production of &quot;My Name Is Rachel Corrie,&quot; an  acclaimed solo show about an American demonstrator killed by an Israeli  bulldozer while trying to stop the destruction of a Palestinian home, has  been postponed because of concerns about the show&#8217;s political content.&#160; <\/span><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><span style=\"font-size:10pt\">The production, a hit at the Royal Court Theater in London last year, had  been tentatively scheduled to start performances at the New York Theater  Workshop in the East Village on March 22. But yesterday, James C. Nicola,  the artistic director of the workshop, said he had decided to postpone the  show after polling local Jewish religious and community leaders as to their  feelings about the work.&#160; <\/span><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><span style=\"font-size:10pt\">&quot;The uniform answer we got was that the fantasy that we could present the  work of this writer simply as a work of art without appearing to take a  position was just that, a fantasy,&quot; he said.&#160; <\/span><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><span style=\"font-size:10pt\">In particular, the recent electoral upset by Hamas, the militant Palestinian  group, and the sickness of Ariel Sharon, the Israeli prime minister, had  made &quot;this community very defensive and very edgy,&quot; Mr. Nicola said, &quot;and  that seemed reasonable to me.&quot;&#160; <\/span><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><span style=\"font-size:10pt\">The play, which received strong reviews in London, follows the story of  Rachel Corrie, an idealistic American demonstrator and Palestinian-rights  activist who was crushed to death in March 2003 in the Gaza Strip.&#160; <\/span><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><span style=\"font-size:10pt\">The play was written by the actor Alan Rickman, who directed the piece, and  Katherine Viner, a journalist at The Guardian newspaper in London, who  pieced together snippets of Ms. Corrie&#8217;s journals and e-mail messages to  create the script. And while the show had not been formally announced, Ms.  Viner said yesterday that she and Mr. Rickman had already bought plane  tickets to see the production at the workshop.&#160; <\/span><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><span style=\"font-size:10pt\">&quot;I was devastated and really surprised,&quot; Ms. Viner said in a telephone  interview from London. &quot;And in my view, I think they&#8217;re misjudging the New  York audience. It&#8217;s a piece of art, not a piece of agitprop.&quot;&#160; <\/span><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><span style=\"font-size:10pt\">But Mr. Nicola said he was less worried about those who saw the show than  those who simply heard about it.&#160; <\/span><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><span style=\"font-size:10pt\">&quot;I don&#8217;t think we were worried about the audience,&quot; he said. &quot;I think we were  more worried that those who had never encountered her writing, never  encountered the piece, would be using this as an opportunity to position  their arguments.&quot;&#160; <\/span><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><span style=\"font-size:10pt\">Mr. Nicola said that he still hoped to produce the play during the 2006-7  season but that he hadn&#8217;t heard back from the Royal Court yet. A call for  comment to the Royal Court&#8217;s general manager, Diane Borger, was not  returned.&#160; <\/span><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><span style=\"font-size:10pt\">&quot;It seemed as though if we proceeded, we would be taking a stand we didn&#8217;t  want to take,&quot; he said.&#160; <\/span><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><span style=\"font-size:10pt\">* Copyright 2006The New York Times Company&#160; <\/span><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><\/font><\/p>\n<p align=\"left\"><a href=\"https:\/\/www.nytimes.com\/2006\/02\/28\/theater\/newsandfeatures\/28thea.html?_r=1&amp;adxnnl=1&amp;oref=slogin&amp;adxnnlx=1141573488-XlFEgl7wp5TPa3K5WwkbYQ\"><font face=\"Arial\" size=\"2\"><span style=\"font-size:10pt\">http:\/\/www.nytimes.com\/2006\/02\/28\/theater\/newsandfeatures\/28thea.html?_r=1&amp;adxnnl=1&amp;oref=slogin&amp;adxnnlx=1141573488-XlFEgl7wp5TP<\/span><\/font><\/a><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><span style=\"font-size:10pt\">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/span><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><span style=\"font-size:10pt\">Everything about this list:<\/span><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><span style=\"font-size:10pt\">http:\/\/lists.riseup.net\/www\/info\/epalestine<\/span><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><span style=\"font-size:10pt\">To unsubscribe, send mail to:<\/span><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><span style=\"font-size:10pt\">epalestine-unsubscribe@lists.riseup.net<\/span><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><span style=\"font-size:10pt\">To subscribe, send mail to:<\/span><\/font><\/p>\n<p align=\"left\"><font face=\"Arial\" size=\"2\"><span style=\"font-size:10pt\">epalestine-subscribe@lists.riseup.net<\/span><\/font><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The New York Times&#160; February 28, 2006 Play About Demonstrator&#8217;s Death Is Delayed By JESSE McKINLEY A potential Off Broadway production of &quot;My Name Is Rachel Corrie,&quot; an acclaimed solo show about an American demonstrator killed by an Israeli bulldozer while trying to stop the destruction of a Palestinian home, has been postponed because of [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[1],"tags":[1401],"ppma_author":[936],"class_list":["post-5018","post","type-post","status-publish","format-standard","hentry","category-news","tag-hamas"],"authors":[{"term_id":936,"user_id":4,"is_guest":0,"slug":"sambahour","display_name":"Sam Bahour","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/bca109c333bf6d8ae807746dd512adde46265d37c923f6cd0fc4aab437f8e9aa?s=96&d=mm&r=g","author_category":"1","first_name":"Sam","last_name":"Bahour","user_url":"https:\/\/epalestine.ps\/sambahour","job_title":"","description":"<p class=\"wp-block-paragraph\"><strong>Sam Bahour<\/strong> is a Palestinian-American business consultant, writer, and commentator based in Al-Bireh\/Ramallah, Palestine. He is the principal of <a href=\"http:\/\/www.aim.ps\/\">Applied Information Management (AIM)<\/a>, a consultancy specializing in business development and startup advisory services.<\/p>\r\n<p class=\"wp-block-paragraph\">Bahour played a foundational role in establishing two of Palestine\u2019s publicly traded companies: the Palestine Telecommunications Company (PALTEL) and the Arab Palestinian Shopping Centers (APSC). He co-founded Americans for a Vibrant Palestinian Economy (A4VPE), of which he is now an emeritus member, and served as an independent director on the board of Arab Islamic Bank P.L.C. from 2004 to 2025. He currently serves on the board of <a href=\"http:\/\/www.justvision.org\/\">Just Vision<\/a> and <a href=\"https:\/\/mas.ps\">The Palestine Economic Policy Research Institute (MAS)<\/a>.<\/p>\r\n<p class=\"wp-block-paragraph\">He frequently gives talks to delegations visiting Palestine on the subjects of Palestine\u2019s political economy, Palestinian Politics 101, and a general orientation to the state of affairs under Israeli military occupation.<\/p>\r\n<p class=\"wp-block-paragraph\">A prolific writer on Palestinian affairs, Bahour has been published in major international outlets including The New York Times, The Guardian, Haaretz, The Washington Post, The Boston Globe, the Los Angeles Times, Al Jazeera America, Le Monde diplomatique, Al-Monitor, +972 Magazine, The Hill, and Arab News. He has appeared as a commentator on NPR, CNN, BBC, and other broadcast media.<\/p>\r\n<p class=\"wp-block-paragraph\">Bahour is the co-editor of <em><a href=\"https:\/\/www.amazon.com\/Homeland-Oral-Histories-Palestine-Palestinians\/dp\/1566561329\/ref=la_B00HBW71SO_1_1\">Homeland: Oral Histories of Palestine and Palestinians<\/a><\/em> (Olive Branch Press, 1993) and was profiled in the bestselling anthology <em><a href=\"https:\/\/epalestine.ps\/sambahour\/2017\/06\/epalestine-kingdom-of-olives-and-ash\/\">Kingdom of Olives and Ash<\/a><\/em>, edited by Michael Chabon and Ayelet Waldman, in a chapter authored by Chabon titled \u201c<a href=\"http:\/\/lithub.com\/the-tallest-man-in-ramallah\/\">The Tallest Man in Ramallah<\/a>.\u201d He holds an Associate\u2019s and Bachelor\u2019s degree in Computer Technology from Youngstown State University, and a Kellogg-Recanati International Executive MBA \u2014 a joint program of the Kellogg School of Management at Northwestern University and the Recanati Business School at Tel Aviv University.<\/p>\r\n<p class=\"wp-block-paragraph\">He tweets at <a href=\"https:\/\/x.com\/SamBahour\">@SamBahour<\/a>, blogs at <a href=\"http:\/\/www.epalestine.ps\">www.epalestine.ps<\/a>, and may be reached at sbahour[AT]gmail[DOT]com.<\/p>"}],"_links":{"self":[{"href":"https:\/\/epalestine.ps\/sambahour\/wp-json\/wp\/v2\/posts\/5018","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/epalestine.ps\/sambahour\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/epalestine.ps\/sambahour\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/epalestine.ps\/sambahour\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/epalestine.ps\/sambahour\/wp-json\/wp\/v2\/comments?post=5018"}],"version-history":[{"count":2,"href":"https:\/\/epalestine.ps\/sambahour\/wp-json\/wp\/v2\/posts\/5018\/revisions"}],"predecessor-version":[{"id":9507,"href":"https:\/\/epalestine.ps\/sambahour\/wp-json\/wp\/v2\/posts\/5018\/revisions\/9507"}],"wp:attachment":[{"href":"https:\/\/epalestine.ps\/sambahour\/wp-json\/wp\/v2\/media?parent=5018"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/epalestine.ps\/sambahour\/wp-json\/wp\/v2\/categories?post=5018"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/epalestine.ps\/sambahour\/wp-json\/wp\/v2\/tags?post=5018"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/epalestine.ps\/sambahour\/wp-json\/wp\/v2\/ppma_author?post=5018"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}